Shabbat Shuvah is the Shabbat between Rosh Hashanah and Yom Kippur and is called “The Shabbat of Return” with sense of returning to God and healing.ย We always feature a congregant speaker at Shabbat Shuvah and are pleased to share the wonderful offering of congregant Steven Beer. Thank you, Steven!
Steven Beer
Shabbat Shuvah Presentation – Congregation Rodeph Sholom, September 14, 2018
Shabbat Shalom. The Clergy asked me to say a few words tonight on the occasion of Shabbat Shuvahโthe Sabbath of turning, returning and change. While I was humbled by this honor, I also had some concerns. As my family understands, change does not come naturally to me. I listen to the same few stations on satellite radio, support the same hapless hometown sports teams, watch my favorite films repeatedly, sit in the same section in synagogue and resist my wife each time she seeks to replace the furniture in our apartment. Life is sweet, so why rock the boat?
With an open heart and a desire to reach beyond my comfort zone, I read the Haftarah for Shabbat Shuvah and thought about the meaning of turning, returning and change as we begin a New Year and prepare for Yom Kippur. The texts speak about Teshuvahโrepenting, reconciling with, and ultimately returning to God. Climbing on board the โTeshuvah Trainโ is easier said than done, however, mainly because reconciliation begins with critical introspectionโa determined willingness to dig deep within ourselves.
Ironically, change is the only constant in life. It requires accepting loss and moving forward with renewed purpose. My eyes were opened to the true meaning of change when I lost my father six years ago. I was not present when he died, but I adored my father and think about him daily. While far from perfect, my dad was a remarkable man with a warm, old school charm and a generous spirit. My Yiddish-speaking grandparents raised my father in Williamsburg, Brooklynโwell before it was trendy.
While he did not receive a traditional education, my father had a yiddishe kop and achieved considerable success within the schmatta business. Together with my mom, he owned and operated two successful manufacturing plants near the Ozark Mountains. This โmade-in-Americaโ spirit sparked the attention of Sam Walton of Walmart. Sam befriended my dad and became one of his greatest champions and customers.
My dad loved America. Although not devoutly religious, he was a spiritual man who strongly advocated for civil rights in the 60โs and, in 2008, celebrated Obamaโs victory. Growing up, my dad played Pete Seeger, Peter, Paul & Mary and Harry Belafonte records. He appreciated how these artists spearheaded change and the value of music as a unifying force.
The doctor diagnosed my fatherโs stage four lung cancer in 2010, but his fierce spirit did not decline. He never missed a family event or an opportunity to spend time with his grandkids. Sadly, in the spring of 2012, my fatherโs health diminished precipitously. We prepared an impromptu Passover Seder at his bedside at North Shore Hospital. Although conscious, my dad was weary, restless, and in no condition to actively participate in our well-intentioned ritual. He mostly slept as we softly plodded through the Haggadah, so we were alarmed when my dad opened his eyes, interrupted our Seder and turned to my sons with an urgent plea: โWe were once strangers in a strange land. We must never turn away our less fortunate neighbors,โ he said. Following this remarkable bedside lesson, my dad closed his eyes and tried to rest. That was the last time he engaged with us before he passed on serval days later. I will never forget, as my father contemplated his imminent return, how he summoned the strength to impress these words on my sons.
My dad lived each day with a song in his heart. He understood the transcendent power of song – the way it calms us in the most difficult of times, and brings us together when words alone are not enough; this may have been one of his greatest gifts to my sons. Our oldest son Alex played guitar at his bar mitzvah and confirmation ceremonies, and Max, our middle son, composed and performed the music for the Midrash Hour, a collaboration of the Rodeph Shalom Day and Religious School programs; and I will always remember the joy of watching our youngest son Gabe sing with his confirmation class on this bimah several years ago.
Gabe discovered Bruce Springsteen when he was nine years old. He loved the way Springsteenโs songs spoke from his heart and embraced the human spirit. The Springsteen song that resonated most deeply for Gabe, and one he shared with me, has always been โLand of Hope and Dreams.” Springsteenโs spiritual lyrics spoke to us:
Grab your ticket and your suitcase
Thunder’s rolling down the tracks
You don’t know where you’re goin’ now
But you know you won’t be back
Darlin’ if you’re weary
Lay your head upon my chest
We’ll take what we can carry
And we’ll leave the rest
Big wheels roll through fields
Where sunlight streams
Meet me in a land of hope and dreams
Gabe and I imagined that we were all on this train together. Although there will surely be hardship and pain, God would welcome us home if we have faith. This promise is offered to everyone — saints and sinners, losers and winners, the broken hearted and sweet souls departed. On this train, dreams will not be thwarted. On this train, faith will be rewarded.
Several days following our Seder, my family gathered at the hospital as my dadโs condition rapidly declined. As fate would have it, the tickets purchased months ago for Gabe to see his first Springsteen show were for that same evening. We feared the worst and did not want to leave my dadโs bedside, but my family insisted that I take Gabe to the show. They convinced him that Grandpa surely would have wanted this. Before Gabe could change his mind, we jumped on the train and arrived at Madison Square Garden just as the E Street Band opened the show.
Gabe and I high-fived each other when Springsteen began to play โLand of Hope and Dreamsโ as the opening song to the first encore. He dedicated the song to his saxophone player, Clarence Clemons, who passed away the year before. Springsteen sang:
I will provide for you
And I’ll stand by your side
You’ll need a good companion
For this part of the ride
Leave behind your sorrows
Let this day be the last
Tomorrow there’ll be sunshine
And all this darkness past
Big wheels roll through fields
Where sunlight streams
Meet me in a land of hope and dreams
The live performance was incredible. We danced triumphantly and sang along, until, as the song ended, I felt the ominous vibration of my cell phone. It was Bonnie texting me: call her ASAP. I ran into the lobby only to confirm my worst fears: My dad had just passed away. Gabe suspected the same, but I falsely assured him that everything was fine when I returned to my seat. On the train ride home, I told Gabe the truth and he wailed upon hearing the news. The train, filled with jubilant Springsteen fans, fell silent.
My world turned upside down that night. My perception of my mortality became clearer, as did my role as a parent, husband and son to my now single mother. Thankfully, my Peter Pan spirit of suspended adolescence has been constructively relegated to the ice hockey rink. It was my time to step into my fatherโs shoes, to grow up, assume greater responsibility and be more accountable. My dadโs passing also changed my relationship with God. I found comfort in reading the Mournerโs Kaddish and attending services regularly, where our prayers and music caress me like a tallit.
Oneโs ability to adapt and be willing to surrender what you are, for what you could become, is the ultimate challenge when presented with change. On Shabbat Shuva, we understand the possibility of reconciliationโthat when we meaningfully atone and recalibrate our divine path to God, we can move forwardโstronger, wiser, and happier. In contemplating my return at this time, I will strive to embrace change and find peace while realigning with myself and God.
Big wheels roll through fields where sunlight streams
Someday, if we are truly blessed, may we all meet in the land of Hope and Dreams.
Thank you and Shanah tovah.






Justin Callis (he/him), our Cantorial Intern, is a fourth-year student at Hebrew Union College-Jewish Institute of Religion in the Debbie Friedman School of Sacred Music. He is the recipient of the Reuben Peretz Abelson Prize for dedication to Yiddish Song, the Temple Israel of Boston Cantorial Prize, and the Lee Gura Memorial Prize for Aptitude in Synagogue Choral Music.








Sarah Adams, viola, performs locally with the New York Chamber Ensemble, theย Claring Chamber Players, the Sherman Chamber Ensemble, the Friends of Mozart, and the Saratoga Chamber Players.
Violinist Michael Roth is a native of Scarsdale, NY and received his early musical training with Frances Magnes at the Hoff-Barthelson Music School. He attended Oberlin College and Conservatory, continuing his studies with Marilyn McDonald. At Oberlin, he won the Kaufman Prize for violin and First Prize in the Ohio String Teacher’s Association Competition. He completed his Master of Music degree at the University of Massachusetts where he worked with the distinguished American violinist and pedagogue Charles Treger and was a recipient of the Julian Olevsky Award.ย Mr. Roth is currently associate concertmaster of the New York City Ballet Orchestra and has appeared in chamber music and as a soloist with the company, most recently in the debut of “Slice Too Sharp”, a ballet of Biber and Vivaldi violin concerti, and “After the Rain”, violin music of Arvo Part. In addition he is a member of the Mostly Mozart Festival Orchestra, Principal 2nd violin of the Westchester Philharmonic, the American Composers Orchestra and the New York Pops. He was concertmaster of the Vermont Mozart Festival Orchestra for many years and often appeared as soloist there, as well as at the Caramoor and Bard Music Festivals. He has played and toured internationally with the Orpheus Chamber Orchestra and the New York Chamber Soloists.
Known for his sweet and โsumptuousโ (New York Times) tone, American-born Doori Na took up violin at the age of four and began his studies with Li Lin at the San Francisco Conservatory of Music. He quickly made his first performance with orchestra at age seven with the Peninsula Youth Symphony as the first prize winner of the concerto competition. Thereafter Mr. Na went on to win top prizes in The Sound of Music Festival, The Korea Times Youth Music Competition, the Chinese Music Teacherโs Association, The Menuhin Dowling Young Artist Competition, The Junior Bach Festival, VOCE of the Music Teacherโs Association of California, and The Pacific Musical Society. Receiving full scholarships to private high school Crossroads School of Arts and Sciences in Santa Monica, he moved to Los Angeles to study with renown violin teacher, Robert Lipsett, at The Colburn Music School. There he appeared as soloist with the Palisades Symphony, Brentwood Symphony, and Torrance Symphony. During that time, the summer of 2004 was Mr. Naโs first time at the Perlman Music Program where his expression and musical identity were greatly influenced. He has been a part of the program ever since and participated in many of their special residencies in Florida, Vermont, New York, and Israel.
Alan Goodis is a touring Jewish musician playing over 150 events a year. Born and raised in Toronto, Alan is a proud product of URJ Goldman Union Camp Institute. Noted for his dedication to building relationships and community through music, Alan tours throughout the US to serve as an Artist-In-Residence and performer at Temples, Youth Conventions and Jewish summer camps.
Julie Silver is one of the most celebrated and beloved performers in the world of contemporary Jewish music today. She tours throughout the world, and has been engaging audiences with her gorgeous compositions and liturgical settings, her lyrical guitar playing, her dynamic stage presence, and her megawatt smile for over 25 years.
Dan is a product of the URJ Jewish camping movement. He has toured Jewish summer camps across North America for the last 15 years. A classically trained singer, Dan received his Bachelor of Music degree in vocal performance at the University of North Carolina. In 1995, realizing the potential of music to make powerful connections with Jewish youth, Dan established the Jewish rock band Eighteen. Since that time, Dan and Eighteen have released 13 albums. Songs like, Lโtakein, Bโtzelem Elo-him, Kehillah Kedoshah, Chazak, Sweet As Honey, and Asher Yatzar have become Jewish communal anthems throughout North America.
Naomi Less is an internationally celebrated singer/songwriter, ritualist and educator. Beloved for her warm smile and inviting presence, communities celebrate her imagination and innovation, tenderness and pizzazz! Her original music is sung in worship communities worldwide. Naomi serves as Co-Founder, Ritual Leader and Associate Director of Lab/Shul and is a leader in amplifying women’s voices through her work at Songleader Boot Camp and her Jewish Women Rock show on Jewish Rock Radio. Naomiadvocates for people struggling with fertility journeys as a performance artist and speaker for Uprooted: A Jewish Response to Fertility Challenges. Fun fact: Naomi and her husband wrote the song shine/Yivarech’cha, a Friday night blessing, specifically composed for URJ Crane Lake Camp, sung every Friday night in the dining hall.
Her destiny became obvious to Joanie Leedsโ parents when, at the tender age of 2, Joanie grabbed the performerโs mic at a party and belted out the entire songโTomorrowโ from Annie. Jaws dropped! No one could remember ever hearing a big voice like that coming from one so tiny and certainly no one would have thought she would one day earn a GRAMMYยฎ Award for her original music.
A composer, multi-instrumentalist, and prayer leader, Elana Arian is one of the leading voices in contemporary Jewish music. Elanaโs music is part of Jewish life across the globe, and her compositions are sung in spiritual communities, summer camps, and synagogues from Louisville to London, from Chicago to the CzechRepublic, and everywhere in between. Elana just released her fourth album of original music, The Other Side of Fear, and her compositions have been published in countless Transcontinental Music collections. Elana serves proudly on the faculty of Hava Nashira (Oconomowoc, WI), the Wexner Heritage Foundation (Aspen, CO), Shirei Chagiga (London, England), and as an instructor at the Hebrew Union College in New York, where she teaches in the Debbie Friedman School of Sacred Music. Elana has performed at Carnegie Hall, Lincoln Center, Tanglewood, and perhaps most memorably, five separate appearances at the (Obama) White House. She lives in New York with her wife, Julia, and their two daughters, Maya and Acadia.
Known for his unique, engaging, and deeply soulful approach, Noah Aronson is considered one of the most sought after Jewish musicians in North America, making over 65 community appearances each year.
There is a reason why Time Magazine has listed Michelle in their Top Ten list of Jewish rock stars.
Kol BโSeder has been composing and performing contemporary Jewish music since the early1970s. Rabbi Dan Freelander and Cantor Jeff Klepper met as college students; over the past 50years they have released numerous CDs and songbooks. With Debbie Friedman (z”l) and others, they forged a new musical sound for American Jewish camps, schools and synagogues. Their songs, such as “Shalom Rav,โ โModeh Ani,โ and “Lo Alecha,” have become traditionalJewish melodies around the world. They are delighted to be inaugurating their fiftieth anniversary celebration by appearing in support of URJ camps, where they first composed and incubated many of their early songs.
Rabbi Mira Weller (she/her) received her ordination at Hebrew Union College-Jewish Institute of Religion in Los Angeles in May 2022. She studied Culture and Politics at Georgetown Universityโs School of Foreign Service and received her Masterโs in Jewish Education at the Rhea Hirsch School of Education at HUC-JIR. She is the proud recipient of awards for her studies in rabbinic literature, her work in Jewish education, and she was granted the Myrtle Lorch Pfaelzer-Monroe Pfaelzer Award for an Outstanding Female Rabbinical School Student (2022). Rabbi Mira speaks Hebrew and Spanish (so please practice with her!). She has a passion for uncovering new possibilities in the great wealth of our tradition and for making music inspired by Judaismโs many cultures. Her guilty pleasures include cupcakes, classical music, and philosophy.
New York bassist Roger Wagner enjoys a long and diverse career. As soloist, chamber musician, and orchestral bassist, Mr. Wagner has appeared on many of the world’s great concert stages.

Sarah Adams
Leonard Bernstein described
Praised by the New York Times as โirresistible in both music and performance.โ flutist,
Margaret Kampmeier,
Michael Roth














Our initiative for young children and their grown-ups provides a slate of offerings including Shabbat and holiday celebrations, music, classroom readiness programs, and new parent experiences. During the pandemic, we have leaned on $1m of seed funding for Sholom Sprouts established through this campaign as we offer age-appropriate virtual programs for our families with young children, who are the future of our community. We look forward to welcoming our littlest members and their grown-ups back to our new fifth floor, as well as hiring a Program Assistant to increase the capacity of Sholom Sprouts to grow. This program provides a crucial entry-point to the congregation and membership for young families.














